Members of the Teatr ZAR traveled to Anatolia, Armenia and Istanbul in search of knowledge, certifi

November 12 this year. I had the pleasure to participate in a press conference noce on the premiere of an extraordinary spectacle "Armine, Sister" at the Teatr ZAR, and other related noce performance events that in the near future will take place in Wroclaw.
That show, which is scheduled for release on November 28 in the Studio on Grobl and is dedicated on the one hand and the identity of the Armenian culture, focusing largely not only the image but also on the music, on the other hand, draws attention to the issue of "silence Europe "against the genocide of the Armenians, which took place in 1915, and which has been muted because of the ongoing World War I, then. Artists want to break this silence, oppose the taboo issue of marginalization and crime committed against Armenians. Although there are historical sources speak of this crime, they are not sufficient, as they focus mainly on dry facts and figures, there is need for a language that upodmiatawiałby victim. Such language is an art, and unfortunately the number of works dealing with this issue is drastically noce low, hence among other things, the idea for addressing that same problem. Dengba Kazo pointed out that the Kurds are like the Armenians in this respect, that also were victims of genocide, and even the Poles as experienced people should understand this pain. He also said that the existence of a nation determines its culture, and if culture collapses, the nation loses its identity. Jaroslaw Fret, Teatr ZAR leader and director of the Institute for them. Jerzy Grotowski, said at the conference noce that "Armine, Sister" brings a change in the work Teatr ZAR, not only in terms of subject matter, as they try to name the new space, which is tentatively called "witness action," and that is based on being a witness events through various noce projects ie not only performance, but also panels, exhibitions, concerts, etc. installation. It is noteworthy that during the project the first time in the history of the Armenian modal song will be presented in the theater. Another interesting thing is that the team taking part in the show is the only one in the world does swańske / Georgian songs and hymns Sardinian funeral. noce
The project involves artists like sisters Mahsa and Marjan Vahdat Tehran. Lyrical layer their music comes from both the contemporary Iranian poetry and mystical love poetry and the great Persian poets such as living 700 years ago Hafiz, whose work is opposed to the music tavern with its spiritual dimension. Dengba Kazo that 2.5 years is associated with Teatr ZAR, follows a long tradition of Kurdish storytellers. Dengbeszowie are itinerant singers and opowiadacy, whose art is based on the voice, not the accompaniment of music. noce In 1960, the Turkish government banned the practice dengbeszów. Aram Kerovpyan, Virginia Pattie Kerovpyan and Vahan Kerovpyan are members of the choir of the Armenian liturgical songs Akn and Kotchnak team. Aram is also a doctor of musicology, as well as a master of singing at the Armenian Cathedral in Paris. Murat and İçlinalça the age of 8 he began to study singing master Çalgıcıyana Nisan, and currently Murat himself is a master of singing in the church of St. Nicholas. Gregory noce the Illuminator noce in Istanbul
Members of the Teatr ZAR traveled to Anatolia, Armenia and Istanbul in search of knowledge, certificates and inspiration, and the fruits of the journey in the form of materials collected by them and captured images noce were presented at the exhibition "To be a witness witnesses." It can be seen from November 12th to December 4th Street. Świdnicka 24 Three forms are specific considerations symbols of genocide, among them are: German Turkish army officer and an Armenian monk, musician and musicologist, who managed noce to avoid arrest in 1915, and plski lawyer of Jewish descent, who created the draft Convention on the Prevention and Karani Crime of Genocide (adopted by ON Z in 1948).
Another event connected with the project's action "Witness" by one of the most famous artists of dance butoh, Daisuke Yoshimoto, which can be seen from 13 to 17 November at 18:00 in the square Salt. Daisuke collaborates with theater ZAR 10 years, in 2003 he danced in Agent ien and in "Lazarus" in the framework of the "Gospels of Childhood". In performe n August, which I had the opportunity today to see butoh master appoints himself as a witness to the event, which he has not experienced, and at the same time, it seems to me also appointed us to witness. noce His stage is the installation consisting of 16 columns, which represent a model of the temple Armenian. noce Artist poignantly tells the movement, dance, story full of pain and suffering. If you have the opportunity in the coming days to be in the vicinity of the Wrocław market, I encourage you to see the master.
It should also pay attention to the