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Gentlemen prefer blondes and military leaders. Put on a blonde wig to play with stereotypes Metropolitan Opera performances, had been Anna Netrebko idea. Image - along with the roles of Macbeth cast Serbian baritone Zelko Lucic. Photo: Martius Sola
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American critics do not know how to live on, and what phrases bārstīt party invitations - so fantastic and proved to be a historic Anna Netrebko's performance of Lady Macbeth's image at the beginning of this season, party invitations the Metropolitan Opera in New York. "She carries this role by the throat and not placed on the open", "Netrebko his performances always reach the top, forcing the gas to the floor", "duet with Macbeth after the murder of his words like darts fired", "It is accurate, stinging, fulfilling party invitations the highest requirements Verdi Singing party invitations with perfectly polished, shining "up". She is a soprano with star power in the best sense: a charismatic expression are filled party invitations each speech element "- these are just a few quotes from the repertoire performances of Macbeth, which is clink" one of the greatest triumphs of the new Metropolitan Opera time history. "
Verdi's Macbeth Metropolitan Opera is polite, darkly minimalist, party invitations unobtrusive modern staging, which in 2007 created the great Bard creative connoisseur, party invitations a former venerable theater - Shakespeare's Bastion Royal Shakespeare Company (it is home to Stratford-upon-Avon) - artistic director Adrien Noble.
The new season of the show the audience the update pleases star ensemble - Russian soprano Anna Netrebko (Lady Macbeth), Serbian baritone Zelko Lucic (Macbeth), the German bass René Pape (banks) and the Maltese tenor Joseph Kalleja (Makdafs). At the podium - Italian maestro Fabio Luisi on the podium. Lady Macbeth is the latest in the role of Anna Netrebko's repertoire for the first time she sang in Munich in the summer - just two performances - with great success (listeners were willing to sell the soul to get biļetīti).
Metropolitan Opera she has seven performances cycle (until 18 October), and tickets are not caught - apparently Macbeth New York audience is too complex opus, does not help even critics party invitations publicly expressed admiration.
Lady Macbeth party marks Anna Netrebko transition to a more serious, dramatic demanding material. This role of the artist focused on the knowledge that she is not dramatic soprano. "The singer, who carries out the role of Lady Macbeth must have a wide range. My chest low register, without which the parties can not sing, helps me a lot, just like belcanto technical baggage," she says.
Toad proved to be easy to reproduce: "Finally on the stage I can be myself. Let's not forget how I being annoyed with Tatyana's opera Eugene Onegin - her image of me at all nepiestāv, so had to play every gesture, every glance. ' Singer believes - Verdi's music tells the opera Lady Macbeth over greed, power-lust and evil progresses. "We are seeing an absolute protagonist's party invitations moral decline - from start to apotheosis. Her anger train hurtling at great speed, and can not be stopped," she said recently in an interview party invitations with the newspaper Rossiiskaya Gazeta.
Some helpful tips on how to sing Verdi's music maestro Riccardo Anna provided Muti. "He said that Macbeth rhythm and words are almost more important than the notes. Ritmo must be one hundred percent accurate," the singer revealed in a conversation with The New York Times.
Anna Netrebko plans for the future - Aida and Norma. In contrast, Desdemona she says no. "I do not want to play the Desdemona. How a woman can be so stupid ?! I would decide her place at once jealous of so macho as Othello. I continue to live, and so he does what he wants. Shakespeare's drama, libretto by Boito and Verdi's opera Otello music is great but this is not the type of women that I would like to reproduce on stage. The same applies to Shostakovich's Lady Macbeth of Mtsensk
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